The Story of Art, 16th Edition Author: Visit Amazon's E.H. Gombrich Page | Language: English | ISBN:
071483355X | Format: PDF
The Story of Art, 16th Edition Description
From Library Journal
Phaidon Press has produced a much-improved edition of Sir Ernst Gombrich's classic narrative study of art history, which was first published in 1950. Among the many competing introductory texts?the central monuments of which are H.W. Janson's History of Art (Prentice, 1986. 4th. ed.) and Helen Gardner's Art Through the Ages (4th ed. o.p.)?Gombrich's venerable work has inhabited a unique niche, having been created specifically for newcomers to art. As his title indicates, he presents the whole of art history as a chronological narrative. Gombrich's voice is lively, opinionated, and almost conversational, yet his erudition shines through to make a book that is both accessible and informative. His premise, that the love of art, not the love of history, is the appropriate basis for its study is communicated directly with his irrepressible enthusiasm for certain masters and his passionate exasperation with 20th century nonobjective artists. While much of the text is unchanged, the format has been completely redesigned with vastly expanded illustrations, improved captions, better charts and an excellent index. This book belongs on every art-lover's bedside table, and even those libraries owning an earlier edition would not regret adding this refinement of an already first-rate work.?Douglas F. Smith, Oakland P.L., Cal.
Copyright 1995 Reed Business Information, Inc.
From Booklist
Gombrich's
The Story of Art has been a treasured standard in the field, selling more than 4 million copies since its first edition in 1950. Now in its 16th edition and available for the first time in paperback, this comprehensive look at Western art from prehistoric times on up to the present has been completely redesigned and extensively revised and updated. In addition, the illustrations have all been enhanced, and a total of 443 are now in color. Gombrich is more than an authority, he's an advocate, and his love and deep respect for art infuse his invigorating text. In his discussion of twentieth-century art, for instance, Gombrich explains how even the most experimental contemporary art is connected in some way to what has gone before. Gombrich tells the story of art "as the story of a continuous weaving and changing of traditions in which each work refers to the past and points to the future." Gombrich's invaluable history is a veritable celebration of this "living chain."
Donna Seaman See all Editorial Reviews
- Hardcover: 688 pages
- Publisher: Phaidon Press; 16 Sub edition (April 9, 1995)
- Language: English
- ISBN-10: 071483355X
- ISBN-13: 978-0714833552
- Product Dimensions: 9.9 x 6.8 x 2.1 inches
- Shipping Weight: 4.2 pounds (View shipping rates and policies)
Having already been exposed to art history and criticism, I felt at times that this book was overly simplistic. (It was originally written for "young people" after all...) What was harder for me to appreciate were the frequent passages in which Gombrich gives vent to his own personal opinions (gushing on about Rubens for instance.) He makes a token effort to be objective but his Eurocentric bias toward the superiority of Classically-inspired Renaissance art is clear.
However, as an introduction to Art History and Art Appreciation, you could do a lot worse. Gombrich is easy to read, he states himself clearly, he presents the history of art (in Europe) as a steady evolution of ideas, rather than a compartmentalized series of Eras & Styles as so many academic textbooks do. He selected illustrations that most effectively elucidate his point. Useful as his book is, it would be a mistake to treat him as a final authority on the subject. _The Story of Art_ is merely an INTRODUCTION to art. Once Dr. Gombrich has opened the door for you, you should leave him behind and continue your explorations on your own, or at least with a different guide. Form your own opinions; that's part of the experience of art.
About the Pocket Edition specifically: The text is in the front (printed on very thin "Bible" paper) and the illustrations are in the back. Phaidon has provided two built-in ribbon bookmarks so you can keep your place in both sections. It's an interesting solution for making the book smaller. I can vouch for the fact that it's easy to carry around, since I took it with me on two trips while reading it, but the arrangement does have its drawbacks.
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